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X-WR-CALNAME:Humanities Division|Art History|Student
X-WR-TIMEZONE:America/Chicago
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TZID:America/Chicago
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TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20071104T020000
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BEGIN:DAYLIGHT
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TZNAME:CDT
DTSTART:20070311T020000
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BEGIN:VEVENT
SUMMARY:EXHIBITION: FEAST- Radical Hospitality in Contemporary Art
LOCATION:Smart Museum of Art\, 5550 South Greenwood Avenue
DTSTART;TZID=America/Chicago:20120215T193000
DTEND;TZID=America/Chicago:20120610T170000
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 Museum
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 er Sponsor(s)
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 rt Museum of Art
X-TRUMBA-CUSTOMFIELD;NAME="Exhibition Title";ID=4544;TYPE=SingleLine:Fea
 st: Radical Hospitality in Contemporary Art
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  act of sharing food and drink with others is a basic human pleasure and
  an enduring source of aesthetic inspiration. Today\, the shared meal ha
 s become a compelling artistic medium: a surprising number of artists ar
 e using meals to advance aesthetic goals and foster critical engagement 
 with our current culture. \n\nThese artist-orchestrated meals can offer 
 a radical form of hospitality that punctures everyday experience\, using
  food as a means to spark encounters and perceptions that aren't otherwi
 se possible within our fast-moving and overly segmented society. Feast s
 urveys these practices for the first time. Through a series of new art c
 ommissions in public spaces and a presentation within the Smart Museum\,
  the exhibition will introduce new artists and contextualize their work 
 in relation to some of the most influential artists of the last century
 \, from the Italian Futurists to Gordon Matta-Clark and Rirkrit Tiravanij
 a. Feast addresses the radical hospitality embodied by these artists and
  the social\, commercial\, and political structures that surround the ex
 perience of the shared meal.\n\nArtists\nFeast includes art\, documentar
 y materials\, and new public projects by Marina Abramović and Ulay\, Son
 ja Alhäuser\, Mary Ellen Carroll / Itinerant Gastronomy\, Fallen Fruit\,
  Theaster Gates\, Felix Gonzalez-Torres\, InCUBATE\, The Italian Futuris
 ts\, Mella Jaarsma\, Alison Knowles\, Suzanne Lacy\, Lee Mingwei\, Laura
  Letinsky\, Tom Marioni\, Gordon Matta-Clark\, Mildred's Lane\, Julio Cé
 sar Morales\, motiroti\, National Bitter Melon Council\, Ana Prvacki\, S
 udsiri Pui-Ock\, Michael Rakowitz\, Ayman Ramadan\, Red 76\, David Robbi
 ns\, Allen Ruppersberg\, Bonnie Sherk\, Barbara T. Smith\, Daniel Spoerr
 i\, Rirkrit Tiravanija\, and others.\n\nCurator\nStephanie Smith\, Smart
  Museum Deputy Director and Chief Curator.\n\nSupport\nFeast is made pos
 sible by an Emily Hall Tremaine Exhibition Award. Generous major support
  has also been provided by the Andy Warhol Foundation for the Visual Art
 s\, The Chicago Community Trust\, Helen Zell\, the Chauncey and Marion D
 eering McCormick Foundation\, and the National Endowment for the Arts. A
 dditional support is provided by the Elizabeth F. Cheney Foundation\, th
 e Richard and Mary L. Gray Foundation\, the University of Chicago's Arts
  Council\, and Janis Kanter and Tom McCormick.
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 ase contact the event sponsor(s) if you require assistance to fully part
 icipate in this event.
DTSTAMP:20120111T112300Z
DESCRIPTION:Image: Detail of Michael Rakowitz's working sketch for the E
 nemy Kitchen food truck.
CATEGORIES:DOVA-OPC
UID:http://uid.trumba.com/event/98134208
END:VEVENT
BEGIN:VEVENT
SUMMARY:EXHIBITION: DAWOUD BAY
LOCATION:The Renaissance Society\, 5811 Ellis Avenue\, Cobb Hall\, 4th f
 loor
DTSTART;TZID=America/Chicago:20120513T160000
DTEND;TZID=America/Chicago:20120624T170000
X-MICROSOFT-CDO-ALLDAYEVENT:FALSE
URL:http://www.renaissancesociety.org/site/Home.html
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 er Sponsor(s)
X-TRUMBA-CUSTOMFIELD;NAME="Other Sponsor(s)";ID=3668;TYPE=SingleLine:The
  Renaissance Society
X-TRUMBA-CUSTOMFIELD;NAME="Presenter(s)";ID=4542;TYPE=MultiLine:Dawoud B
 ey
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X-TRUMBA-CUSTOMFIELD;NAME="Contact E-mail";ID=717;TYPE=Email:info@renais
 sancesociety.org
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 ba.com/i/DgBU9n3js15fE1vaac2H4a8%2A.jpg
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 cago.edu/
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 ce 1975\, Chicago-based photographer Dawoud Bey has developed a body of 
 work distinguished for its commitment to portraiture as means for unders
 tanding contemporary social circumstances. Ranging from chance street en
 counters to studio portraits\, Bey has investigated a range of methods t
 o find increased engagement with his subjects\, and the resulting candor
  and expression such images convey. The Renaissance Society is pleased t
 o present a career survey of Bey’s work\, which will be accompanied by a
  catalogue including new scholarly essays\, and is being slated to trave
 l.\n\n**Featuring a talk with the artist in Kent Hall\, Room 107\, from 
 5:00 to 6:00 pm. St. (on the Main Quadrangle of the University\, northea
 st of Cobb Hall)**
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 ase contact the event sponsor(s) if you require assistance to fully part
 icipate in this event.
DTSTAMP:20120319T144626Z
DESCRIPTION:Image: Dawoud Bey\,Stuart Hall\, 1998
CATEGORIES:DOVA-OPC
UID:http://uid.trumba.com/event/99249896
END:VEVENT
BEGIN:VEVENT
SUMMARY:***POSTPONED UNTIL FALL 2012***LECTURE: DANIEL JOSEPH MARTINEZ
LOCATION:Reva and David Logan Center for the Arts\, 915 East 60th Street
 \, Performance Penthouse
DTSTART;TZID=America/Chicago:20120521T180000
DTEND;TZID=America/Chicago:20120521T190000
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 r the thirty years of his art practice\, Daniel Joseph Martinez has inve
 stigated social\, political\, and cultural mores using a complex artisti
 c vocabulary of text\, sculpture\, installation\, painting\, video\, and
  photography. His work seeks to address historical and current geopoliti
 cal realities\, exposing their complicated dynamics and destabilizing th
 em in myriad ways. Martinez has exhibited in the United States and inter
 nationally since 1978\, including the 1993 and 2008 Whitney Biennials. H
 e had a one-person exhibition at Museo de Arte Carrillo Gil\, Mexico (20
 01) and in 2006 he represented the United States at the 10th Cairo Inter
 national Biennale (Museum of Fine Arts\, Houston). Hatje Cantz recently 
 produced the monograph Daniel Joseph Martinez: A Life of Disobedience. M
 artinez teaches at the University of California\, Irvine\, where he has 
 been a professor of theory\, practice\, and mediation of contemporary ar
 t since 1990.
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 ase contact the event sponsor(s) if you require assistance to fully part
 icipate in this event.
DTSTAMP:20120515T135333Z
CATEGORIES:DOVA-OPC
UID:http://uid.trumba.com/event/99250170
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BEGIN:VEVENT
SUMMARY:Smart Lecture: Pamela Lee
DTSTART;TZID=America/Chicago:20120524T163000
DTEND;TZID=America/Chicago:20120524T180000
X-MICROSOFT-CDO-ALLDAYEVENT:FALSE
URL:http://lucian.uchicago.edu/blogs/news/spring-lecture-series/?preview
 =true&preview_id=3070&preview_nonce=fbbc7fe29c
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 ne-Woods 157
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  History
X-TRUMBA-CUSTOMFIELD;NAME="Presenter";ID=12;TYPE=SingleLine:Pamela Lee
X-TRUMBA-CUSTOMFIELD;NAME="Lecture Title";ID=3682;TYPE=SingleLine:Patter
 n Recognition\, Circa 1947
X-TRUMBA-CUSTOMFIELD;NAME="Contact Name";ID=2901;TYPE=SingleLine:Alex Ko
 stiw
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 hicago.edu
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 cago.edu/
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 ase contact the event sponsor(s) if you require assistance to fully part
 icipate in this event.
DTSTAMP:20120313T112021Z
CATEGORIES:Art History
UID:http://uid.trumba.com/event/96599712
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BEGIN:VEVENT
SUMMARY:LECTURE: PAMELA LEE - Pattern Recognition\, Circa 1947
LOCATION:Cochrane Woods Art Center\, 5540 South Greenwood Avenue\, room 
 157
DTSTART;TZID=America/Chicago:20120524T163000
DTEND;TZID=America/Chicago:20120524T180000
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 57
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  History
X-TRUMBA-CUSTOMFIELD;NAME="Presenter";ID=12;TYPE=SingleLine:Smart Lectur
 e: Pamela Lee
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 n Recognition\, Circa 1947
X-TRUMBA-CUSTOMFIELD;NAME="Contact Name";ID=2901;TYPE=SingleLine:Alex Ko
 stiw
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 hicago.edu
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 f. Lee received her B.A from Yale University and her Ph.D in the Departm
 ent of Fine Arts from Harvard University. She also studied at the Gradua
 te Center of the City University of New York and the Whitney Museum Inde
 pendent Study Program. Her area is the art\, theory and criticism of lat
 e modernism with a historical focus on the 1960s and 1970s. Among other 
 journals\, her work has appeared in October\, Artforum\, Assemblage\, Re
 s: Anthropology and Aesthetics\, Les Cahiers du Musee national d'arte mo
 derne\, Grey Room\, Parkett andTexte zur Kunst.\nA pre-doctoral fellow a
 t the Center for Advanced Study in the Visual Arts\, Washington D.C.\, a
 nd a recipient of a postdoctoral fellowship from the Getty Research Inst
 itute\, Lee has published two books in addition to journal articles\, re
 views and catalogue essays. Her books are Object to be Destroyed: The Wo
 rk of Gordon Matta-Clark (Cambridge: The MIT Press\, 2000) and Chronopho
 bia: On Time in the Art of the 1960s (Cambridge: The MIT Press\, 2004). 
 A French language edition of Object to be Destroyed will be published by
  Editions Macula\, Paris\; a Spanish language edition of Chronophobia wi
 ll be released by El Centro de Documentación y Estudios Avanzados de Art
 e Contemporáneo (CENDEAC)\, Murcia\, Spain.
X-TRUMBA-CUSTOMFIELD;NAME="Disability Clause";ID=3338;TYPE=MultiLine:Ple
 ase contact the event sponsor(s) if you require assistance to fully part
 icipate in this event.
DTSTAMP:20120318T171824Z
CATEGORIES:DOVA-OPC
UID:http://uid.trumba.com/event/99239319
END:VEVENT
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